The Return

Off the coast of a small island in Georgia, a vessel called the Wanderer,
Stretched across marshy waters of the Dunbar Creek.
She shook and wavered, upon arrival,
Held us like a box, our bodies suffocating, herded collectively.
Our sunken eyes burdened with unspoken sorrows,
Sinking into muscles, coiled and tight. Waiting for release.
Our freedom resting like a flighty bird,
Immune from our invitation and wishes.
Yet lying just within our grasp.
Soon the call rings loud and clear.
And our legs run, synced in bravery.
Jump and push, scream and shout–then we best the devil.
Hold tightly, bind and toss, into a dangerous end.
A regained freedom shines, like sunlight on the water.
Golden relief, a light rising.
From the depths of us, warm and steady.
Gone are the devils, gone is the anger,
We stand on the decks,
Mouth stopped in laughter, loud and free,
Tasting salt in lighter air. Catching angel wings.
Rapid breaths subsiding, as we rest
Under the dainty strokes of sky blue,
dipping into the untamed wilderness of thick vegetation,
Perhaps, in another time, another universe
We would have come across this land, a haze of nature’s wonder
And Lived.
After the work is done we cannot rest, we hold hands
Mother to daughter, Father to son,
Communicating an unspoken agreement
Of freedom that rests on the tides of salvation
Do we cry? Or do we laugh?
Mother, my restless mind, can’t stop my feet
From copying your valiant strides approaching the ship’s precipice
When you lead, I follow
Where you fall, I’ll fall
An escape seized in force, freedom in death–
More fulfilling than a fated life of torment.
Our red wrapper and our beads collapse and break,
Our dreams of lives we would have lived dip and submerge.
Our fears, lost beneath the waves.
Can’t help, my apprehension, so I hold you tighter,
But we loosen, lungs filling,
As we fall into the great mother,
Water of earth, raging turquoise.
People of the sun, surrendering and drowning,
Tasting blue water, fresh and tinged with brine, bleeding
-into past and present,
Pain and survival.
Our bodies the
hue of brown and red earth,
Closed into caresses of water,
Flowing in·cap·su·la·ting, surely.
while she stills, a vessel without a captain,
Holding the haunting memory, of
We Igbos, born from water,
Enacting autonomy over our souls.
Here lies our bodies,
Willingly returned to where we were made
To the waters that saw us first,
And just like the waves:
We are here, as we have always been.

Ise.

This poem won the October Poetry Prize! Poetry Editor, Rhea Tregebov, writes about "The Return" by Stacy Ogbuehi: “The Return” was inspired by a horrific, and inspiring, historical event. In 1803 the Wanderer, a vessel carrying enslaved people, ran aground off the coast of Georgia following a mutiny by its Igbo captives. Many then committed suicide rather than remaining enslaved. While the details of how many died are not clear, theirs is a powerful story of resistance. Stacy Ogbuehi’s poem effectively takes on the voice of those who made this choice in moving and engaging language and imagery. 

Photo of our October prize winner, Stacy Ogbuehi

Stacy Ogbuehi

Grade: 12 / CEGEP I
NorKam Senior Secondary School
Kamloops, BC

“As an Igbo writer, “The Return” is deeply personal and steeped in ancestral reverence. The poem echoes the pain and resilience of my ancestors during the horrors of the transatlantic slave trade, while also serving as a reclamation of our identity and strength. The Igbo Landing was never taught in the schools I attended back home, nor in the schools here. Through my own research, I was privileged to come across this integral part of my history. The Igbo Landing story tells of an event when a group of trafficked Igbo men and women fearlessly took control of a slave ship and jumped into the water below, committing mass suicide to escape the horrors of slavery. To them, life without freedom was not life at all. Although grim, this experience of my ancestors instills in me the belief that true living is honoring oneself and one’s heritage. Additionally, the imagery of water and the sea holds special significance for the Igbo people, as we believe our souls are rooted in the earth and water, symbols of life, death, and rebirth. Igbo Traditional Spirituality has always revered and worshipped the goddess of the ocean and rivers; this deity is seen as a mother and nurturing figure. It is said that during slavery, she traveled with stolen Black men, women, and children, protecting and guiding them through their tough journey. This is evident in the way water deities like La Sirene, Idemmili, Yemaya/Iemonja, and Mami Wata are worshipped in Haiti, Cuba, and Brazil. The journey of our spirituality—changing but never lost—mirrors our deep, unbroken connection to the land of our ancestors. The repeated invocation of the sea, the “great mother,” and the reclaiming of autonomy over our souls are not just metaphors; they are affirmations of the enduring power of our culture, our traditions, and our collective spirit that have remained through violent colonization. This poem is a prayer for my ancestors and myself, affirming that despite the trials and tribulations we faced as a people, we have always existed, we are resilient, and we are returning home.”

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